2024
Artworks created in 2024 – see ‘Shop‘ for artworks available for purchase.
‘Untitled’ (linocut print).
Linocut on Fabriano Rosaspina (2024).
‘Untitled’ (linocut print).
Linocut on Fabriano Rosaspina (2024).
‘Untitled’ (linocut print).
Linocut on Fabriano Rosaspina (2024).
‘Untitled’ (linocut prints).
Linocut on Fabriano Rosaspina (2024).
Ivy
Plaster casts of riparian fauna (2024). Photo by Jonathan Brennan.
Yorkshire Fog
Plaster casts of riparian fauna (2024). Photo by Jonathan Brennan.
‘Untitled’ (found objects)
Found objects (‘Lost Mary’ vapes and tiles), (2024).
Untitled
Plaster casts, linocut prints, found objects (Lost Mary vapes and tiles), (2024). Photo by Catherine Devlin.
Untitled
Found objects (oyster shells) and linocut prints, (2024). Photo by Jonathan Brennan.
Untitled
Found objects (‘herb grinder’, twig, plastic bone, bone, lichen) and linocut prints, (2024). Photo by Jonathan Brennan.
‘Untited’ (River)
Screenprint on tracing paper from rubbing taken at the site of the Blackstaff river, (2024).
Untitled
Screenprint on tracing paper from rubbing taken at the site of the Blackstaff river, (2024). Photo by Catherine Devlin.
‘Untitled’ (high-vis gilet).
Iron-on decal on high-vis gilet. Original ‘Rivers’ logotype, (2024).
Archive footage of Lagan salmon as looping cyanotype animations.
Northern Ireland Screen Digital Film Archive footage, cyanotype prints, Raspberry Pis (2024). Photo by Catherine Devlin.
Archive footage of Lagan salmon as looping cyanotype animations.
Northern Ireland Screen Digital Film Archive footage, cyanotype prints, Raspberry Pis, (2024). Photo by Catherine Devlin.
‘Untitled’ (animation frames).
Cyanotype animation frames, 21 x 12 cm, (2024). Photo by Catherine Devlin.
Untitled
100+ river and flood maps joined. Digital print, 84 x 119 cm, (2024). Photo by Jonathan Brennan.
‘Daylighting (Work in progress)’ (reading/listening area)
Reading & listening area. OSB table, foldable zines on sugar paper, headphones with audio interviews on the subject of rivers (2024). Photo by Jonathan Brennan.
‘Daylighting (Work in progress)’
Close-up of folded zine with original text and photographs. Photo by Jonathan Brennan.
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Daylighting’ video (16:12).
Still courtesy of Northern Ireland Screen Digital Film Archive.
Still from ‘Daylighting’ video (16:12).
Still courtesy of Northern Ireland Screen Digital Film Archive.
Still from ‘Daylighting’ video (16:12).
Still courtesy of Northern Ireland Screen Digital Film Archive.
Still from ‘Daylighting’ video (16:12).
Still courtesy of Northern Ireland Screen Digital Film Archive.
Still from ‘Daylighting’ video (16:12).
Still courtesy of Northern Ireland Screen Digital Film Archive.
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Daylighting’ video (16:12).
(2024).
Still from ‘Riverrun – Knock Culvert’ video diptych (38:48).
(2024).
Still from ‘Riverrun – Knock Culvert’ video diptych (38:48).
(2024).
Still from ‘Riverrun – Knock Culvert’ video diptych (38:48).
(2024).
Underneath the Arches (2022). Acrylic on canvas 90 x 90cm © Jonathan Brennan-4
(2024).
Underneath the Arches (2022). Acrylic on canvas 90 x 90cm © Jonathan Brennan-3
(2024).
Underneath the Arches (2022). Acrylic on canvas 90 x 90cm © Jonathan Brennan-2
(2024).