Flowerfield Angie and Cheryl in Portstewart are chatty and helpful. They provide me with information on how I might approach the Flowerfield Centre for an exhibition. We talk about the new (ish) borough of ‘Causeway Coast & Glens’ and none of us can quite agree on...
Writing
Sense of Place – Joseph Nawaz
The “Sense of Place” that Jonathan Brennan invites us to share in this his latest collection of Belfast landscapes (and beyond) is a dislocated one. It’s a sense that’s far removed from the comforting notion of “home” that such a title usually invites. Brennan brings...
‘No Filter’
Exhibition 'No Filter' featuring the work of Esther O'Kelly and NOTPOP took place at Canvas Galleries in May 2023. Discussing the work of two artists in one text generates its own particular challenges. Making comparisons and identifying points of contrast is...
Critique | ‘Fix Your Pony!’
First published in the VAN (Visual Artist's News Sheet) 10 May 2023. ‘Fix Your Pony!’ is the fifth iteration of the Naughton Gallery’s ongoing sports exhibition series, featuring works that, according to the gallery literature, tackle “race, gender, politics,...
Critique | Raymond Watson ‘Apis Mellifera: The Honey Bee’
First published in the VAN (Visual Artists News Sheet) 15 March 2023. Ann McVeigh and Ken Bartley, the team behind ArtisAnn Gallery, are no strangers to the NI Science Festival or indeed science for that matter – Ken has a degree in physics. Every February sees...
‘UPHOLD: New Collections’
Somebody turned to me and said: “It’s like when you see a gallery opening in an American film; it looks a bit like this.” We were three floors up, not quite a New York loft, rather a high-spec office block, with metallic flooring, industrial lighting, and whitewashed...
Critique | Summer ’22 Show
First published in the VAN (Visual Artists News Sheet) 9 September 2022. Back in late-nineties Belfast, a loose agreement was formed between several like-minded artists in the east of the city to organise a group exhibition in a local venue. Said venue cancelled...
Exhibition Profile | Staggering Verisimilitude
First published in the VAN (Visual Artists News Sheet) 21 November 2022. Viewing Ron Mueck’s current show at The MAC (29 July – 5 November) I find myself grasping for reference points. Firstly, from art history: from seventeenth-century Spanish polychrome sculpture to...
Critique | Aoife Shanahan ‘OXYgen’
‘OXYgen’ at Golden Thread Gallery, Belfast, is an exhibition of recent work by Dublin-based artist, Aoife Shanahan. Lining the gallery’s Project Space, 14 monochrome silver gelatin prints are organised as a pair, two groups of three and a larger sequence of...
Critique | Ronnie Hughes, ‘Isobar’
First published in the VAN (Visual Artists News Sheet) 18 March 2022. Ronnie Hughes’s solo show, ‘Isobar’, comprises 21 works on canvas, linen and plywood (from 2020 and 2021) as well as a series of 11 works on paper (from 2015). The former range considerably in...
‘Multi-Matrix’ Print Symposium
In a past which now feels distant (but was in fact was only weeks ago) when the term ‘social distancing’ had only just been coined and the concept of having to self-isolate was inconceivable, there was a symposium organised in Belfast focusing on what seems the very...
Critique | Karen Daye-Hutchinson ‘A Harlot’s Progress’
First published in the VAN (Visual Artists News Sheet), 27 June 2019. ‘A Harlot’s Progress’ refers to William Hogarth’s series of the same name – a moral tale of the short life of one Moll Hackabout, who travels from the countryside to London, falls into...
Day XXX
• grouping again• recapping again.
Day XXIX
• grouping• recapping
Day XXVIII
• repeating the experiments of day 25 with a new piece.
Day XXVII
• experimenting with movement.
Day XXVI
Thinking about: • getting an image out of my head onto paper - how does one compare with the other? • quantifying nature • animating.
Day XXV
Thinking about:• exposition vs obfuscation• knowing when something is finished / when to stop.
Day XXIV
Thinking about:• Audience• Philip Taaffe.The quote above reads:Taaffe recognizes that his art is caught in the tension between the public and the private, the accessible and the inaccessible. As he tells Brakhage:‘I often find myself poised between two poles of...
Day XXIII
Finished folding piece from Day XI/XII.
Day XXII
• drawing again• honing in on a theme e.g. day XVI• feeling confused — should everything coalesce? or should each piece tell its own little story in a greater narrative or theme• persevering.
Day XXI
• folding again• adding adhesive• finding another nature-grid.
Day XX
Back to drawing for a bit.
Day XIX
Thinking about:• folding and unfolding again (same piece as yesterday)• palimpsests and memory.
Day XVIII
Thinking about:• variation• lighting.
Day XVII
Thinking about:• leaving the 2D space• into the ‘unframeable’• into meatspace.
Day XVI
Thinking about:• imposing structures on nature• all those “wastelands”.
Day XV
Thinking about: • structure • line • Brancusi!
Day XIV
Thinking about:• translucency• texture
Day XIII
Thinking about:• working intuitively• working obsessively